JAZZ-BY-THE-BAY STRIKES POSITIVE CHORD WITH PARK AUDIENCE
The festival gods were kind to the Jazz-By-the-Bay
weekend of Oct. 19th and 20th. Three days of rain ceased Friday
afternoon and the festival began as planned at 6:30 p.m. on a splendid
fall evening in Oaks-By-the-Bay Park in historic St. Andrews. For the
next hour and one-half jazz icon Bob Dorough (along with guitarist Steve
Berger, bassist Steve Gilmore and drummer Fred Domulot) held the large
Park audience spellbound with his unique versions of Charlie Parker's,
Yardbird Suite, Johnny Frigo's , Detour Ahead, and his own Conjunction
Junction, from his famous Schoolhouse Rock TV series and many others.
The festival resumed on Sat. noon with glorious
weather and a sparking performance of jazz standards by the Northside
Elementary School Jazz Chorus led by teacher and jazz pianist Amanda
Matthews. The rest of the afternoon featured a return appearance of Bob
Dorough, who got the audience going with more of his original classics,
Devil May Care, Nothin' Like You, and Hoagy Carmichael's Baltimore
Oriole. It is said that showman Bob Dorough must be seen and heard live
to be appreciated. Well, this audience saw and heard and appreciated.
Pianist and vocalist Cynthia Neeves, a fill-in for
Kenny Drew Jr. (who was unable to make it out of Tampa for the festival)
demonstrated marvelous technique and agility on the piano, and her vocal
work revealed a pleasing warmth, and respect for lyrics. Neeves, a
Panhandle area resident and frequent performer in Grayton Beach and
Destin clubs, deserves to be heard here more often.
Atlanta trumpeter and vocalist Joe Gransden
excited the crowd with a combination of straight ahead bebop renderings
of jazz standards and slower-paced vocal versions of tunes such as Green
Dolphin Street , and Funny Valentine. Gransden, who looks and sounds
like a young Chet Baker, sings both jazz, and pop numbers. And, his
versatility became apparent when the quintet ventured into smooth jazz
arrangements. Gransden's horn playing is both melodic like the early
1950s Miles Davis and reminiscent of (Chet) Baker's trademark relaxed
tones.
Local artists Sharon Carroll and Amanda Matthews
captivated the audience with Amanda's facile keyboard work and Sharon's
silky smooth and articulate vocals. Their quintet played numbers from
their recently released CD, Tell Me This Day Won't End. The group was
accompanied admirably by saxophonists Joe Occhipinti and Victor Payano.
Backing up the group was acclaimed bassist Steve Gllmore and drummer
Fred Domulot.